- Artist
- Abele, Charlene
- Allmond, Charles
- Anderson, Carolyn
- Anderson, Larry
- Antonelli, Judy
- Berndt, Bayard
- Blankenship, Roy
- Blish, Carolyn
- Bollinger, Richard
- Breslin, Wynn
- Brock, Michael
- Brown, Riva
- Cameron, Scott
- Colombo, Charles
- Corson, Lawrence
- Cusano, Donna
- Dawson, Pat
- Dawson, W. S.
- Decker, Millicent Neill
- Dixon, Janet
- Dykeman, James E.
- Elias, Lorraine Petyo
- Faust, Shawn
- Hart, Frances
- Hendershot, Bradley
- Hendershot, Ray
- Henderson, George
- Hoffecker, Robert
- Hoffman, Keith
- Howerton, Katherine A.
- Huntsberger, James
- Korber, Louise
- Kreisel, William
- Lanyon, E. Jean
- Lawrence, Daniel
- Luke, Linda
- Magaral, Brian
- Mallison, Sharron
- McClean, Ruth
- McGlynn, W. James
- McKeown, Geraldine
- Meier, Henry
- Messa, Lou
- Minster, Marilyn
- Naspo, Fredrick
- Neidhardt, Erika
- Newitt, Terry
- Parthemore, Elizabeth
- Redding, James
- Renzulli, William Ferrar
- Rippa, Lillian
- Rowe, Charles
- Ruck, Kathy
- Santoleri, Nicholas P.
- Scarborough, Paul
- Schilling, Charlu
- Schultz, Christopher
- Shaw, Jonathan
- Spencer, William
- Staats, Lewis
- Thompson, James
- White, P. Patrick
- Wikoff, Philip
- Willis, Nancy C.
- Wyeth, A. N.
- Wyeth, Andrew
- Wyeth, Jamie
- Wyeth, N. C.
- Zabel, Bruce
- Zeigler, Joyce
- Originals
- Reproductions
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•Custom Framing
•Restoration
•Consulting
•Commissions
•Appraisals
•Archival Framing
•Conservation
•Corporate
•Canvas Transfer
•Dry Mounting
•Family Heirlooms
•Installations
•Security Hanging
•Frame Repair
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Cameron, Scott
A Delaware artist, Scott Cameron paints the simple elegance
of the America’s Cup races, serene coastal marsh scenes, timeless landscape
vistas and historic steamboats in a style reminiscent of the era in which they
reigned.
An admirer of Andrew Wyeth and the Brandywine School of
painters, Scott has combined the detail and quiet stillness of the School in
his landscapes with the Luminist School’s sense of light glowing from
within. A soft gentle atmosphere
seems to fall over each scene adding to the peacefulness of the setting, and a
sense of a time gone by. His America’s Cup scenes capture the action at a
moment in time, allowing the beauty of the wind-filled sails to become the
central design element of each painting.
Cameron has exhibited his oil paintings in numerous national
and regional shows from the Mystic Seaport Museum to solo and group shows in
some of the foremost galleries throughout the Northeast and Mid-Atlantic
states.
Favorite painting locations are the waterways and coastal
inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling
landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is
behind every historic steamboat and America’s Cup painting to record accurately
the details of race position, rigging and boat design.
Scott attended Southhampton College on Long Island, studying
with Fairfield Porter and Wilhelm KeKooning followed by Pratt Institute in New
York. After college Scott worked as a graphic designer in Newport, R.I.
designing and executing the graphics for three America’s Cup yachts. Introduced
to this new exciting world of beautiful historical yachts, he determined to
become a marine artist, combining his knowledge of graphic design and
composition with his love of painting.
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